Yet Riseborough's role is even more unnerving. At the film's start, she has a boy in her basement and a young woman cleaning her family's mess while she stares out a window, silent and dressed like a Victorian ghost in long, silky white nightgowns. But as Tommy progresses, she blooms like belladonna, donning more modern attire, speaking up, and even delivering her own brand of parenting in soft but stinging tones.
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